(9 January 1834-31 October 1896) was a genre painter and is considered the founder of the School of Dendermonde, best known for his paintings of children of the Belgian bourgeoisie, in a classical style but with a natural feeling to them. Born in Dendermonde as the younger brother of painter Frans Verhas, he studied at the Academy of Dendermonde and the Academy in Antwerp, finishing with the Belgian Prix de Rome in 1860. The Belgian government commissioned him to travel to Venice where he made the painting "Velleda et la Bataille de Callao" in 1862. The next four years, he lived in Binche, where he married. He then moved to Brussels. Verhas was a regular of the Salons of the time, winning a second class medal in the Paris Salon Exposition of 1881, and a gold medal at the 1889 Exposition Universelle. He was made a Chevalier in the Legion of Honor in 1881. Jan Verhas died in Schaarbeek in 1896. Paintings by Jan Verhas can be seen at the Museum of Fine Arts in Ghent, the Royal Museum of Fine Arts, Antwerp and the City Hall of Dendermonde.  Related Paintings of Jan Verhas :. | Portrait Kaiser Franz Stephan | Still life floral, all kinds of reality flowers oil painting 03 | The Skeleton Painter | Sheep 195 | Parrot with Open Wings |
Related Artists:
Wassnezow, Wiktor Michajlowitsch
painted Drei Koniginnen des unterirdischen Reiches in 1879
Baron Jean-Baptiste Regnault
Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
G. Fuchs
painted Bolle Willum Luxdorph in 1782(1782)